Eight for SilverIs a Gory, Mostly Successful Reinvention of the Werewolf Movie

Why doesevery werewolf moviehave to be so similar ? Is there a law that state the creature only comes out during a full moon , must be super hairy , and can only be killed bysilver bullets ? Of course not . And Eight for Silver , the new film by author - director Sean Ellis , purposefully fox most of that out the windowpane . It ’s an attempt to tell a mark novel werewolf story , one that ’s rig in the past , is delightfully disgusting , and even test to tug at your heartstrings .

premier at the 2021 Sundance Film Festival , Eight for Silver starsBoyd Holbrook(Logan , The marauder ) as John McBride , a pathologist in the tardy 19th century . John has a deplorable past and is trying to make sense of it by exploring strange stories . floor about traveling groups of people and an evil cuss . Eventually , he track those hearsay to a town where a young man has gone lose after his father ( Alistair Petrie ) order some horrific turn against , you opine it , a travel biotic community of Romani people .

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Eight for Silver premiered at Sundance 2021.

Eight for Silver premiered at Sundance 2021.Photo: LD Entertainment

The good things about Eight for Silver are the ways it try out toreinvent werewolf mythology . plain , silver gray is still involved ( hence the claim ) but most of the other tropes have been removed or reimagined . At first , that gives the story a fresh feel because we are n’t predisposed to know exactly how it ’s all going to blossom forth . You ’re cower out and almost shock by the changes . On the other hand , many of the fresh rule and convolute Ellis uses all seem rather conversant — not from werewolf pic but from supernatural slasher moving picture , zombie flick , creature features , and more . The mix is unparalleled but pretty much everything about it can be retrace back to something else . At first , this was a little dissatisfactory , but you have to realize almost nothing is truly new anymore , and a remix can be just as good as something totally original , right ? That ’s what Eight for Silver is : a werewolf picture remixed with other horror conventions .

impregnable performances from Petrie ( Rogue One ) and Kelly Reilly ( True Detective ) , as well as the obtuse discovery of John ’s link to the loup-garou mythology , fag the film and create a nice line to the horror . There ’s also an emotional , effective bookend to the film that recontextualizes everything else . Ellis start Eight for Silver in a dissimilar prison term period and let the main narration hitch up to the knowledge we learn in that first scene . As a result , while we sort of have it off where things are going , their bold improbability adds a little dash of mystery and heart to the film .

The commitment to the fourth dimension period also helps sic it all apart . The costume , the exercise set , the cinematography ( which is driven by candle flame and smoke ) all experience authentic and purposeful . The tempo adds to that too . Things did n’t move fast in the late 1800s and neither do they in Eight for Silver . However , it can be a shade constricting to the pic ’s momentum , particularly in the first enactment , but things piece up by the end .

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Mostly that ’s because Eight for Silver has truly grim , delicious bits peppered throughout the film . One in particular , which we ’ll just call “ the autopsy , ” is gag - inducing in the good potential way . you’re able to almost smell the conniption descend off the screen — it ’s fantabulous , if you ’re into that sort of thing . raft of other creature attack and effects match that too , giving what seems like it could be a snooty period piece a nice dash of horror gore that ’s not for the faint of heart . All of these things mix together for an alchemy that really works ; there are import of defeat , present moment of boredom , but it does the job . At the end , you ’ll probably have wanted a number more from Eight For Silver because it never quite coalesces into the grand motion-picture show it wants to be . But the blueprint of that are there .

No , Eight for Silver is not a radical reinvention of the loup-garou story . And no , it ’s not a dig - boot adrenaline rush of a monster movie . It could have used a spot more of that part , in fact — but in the end , what it does well , it does very well . You ’re connected to the character , to the story , and the period arrange makes the gore that much more shocking .

Argentina’s President Javier Milei (left) and Robert F. Kennedy Jr., holding a chainsaw in a photo posted to Kennedy’s X account on May 27. 2025.